Acting involves the development of many skills, one of which is auditioning, a skill you can develop in some acting classes in NYC. Gaining acting experience on stage, film or television is an important way to develop acting skills, but that won't happen if you don't audition well. If auditioning is not being taught in your acting classes in NYC, it's a skill that you will need to work on developing. Being prepared, with a deep set of auditioning skills is necessary if you expect to exploit every opportunity to audition that comes your way. Acting classes in NYC that teach the Meisner discipline are known for turning out highly professional actors that know how to work. Meisner acting techniques are strongly connected to powerful auditioning skills.
One or two ways actors tend to crash and burn during auditions are common. The first is to be overconfident. At the same time, being deeply insecure won't help either. Being overly nervous or overconfident is not what will count against you in an audition. Being nervous or confident projects a sense of "self awareness" which can kill a great acting performance.
This is a very bad acting habit, being too closed off and too rehearsed and it's a poor auditioning technique as well. Too nervous, and it's too distracting to you and the auditors and you run the risk of not being open to the performance and the emerging character. The many layers of human traits, communicated in a thousand smalls ways is what must shine through, how you feel personally can't inhibit this.
Many preparing for auditions consider the slate unimportant. As many of you know, the slate is when you state your name into the camera so the auditors can keep track of everyone they've seen. What may seem like a tiny practical thing, can have huge consequences if they don't like what they see. This is the bad news. There is no guarantee ever that a producer or director will watch a tape past the slate. With hundreds, perhaps thousands to see for a role, it's an overwhelming process. When wading through these tapes, anything that helps them to more quickly find the best of the best is necessary. A quick dismissal of an actor's tape because of a lackluster slate gets them to their goal more quickly.
This may seem brutal, it does speed up the process. Learning to slate well is one way to get an advantage over some of the actors you go up against. While some acting classes deal with auditioning, many don't. Acting classes in NYC are a great resource for learning about slates. Acting classes in NYC in some institutions, may ask for a slate and audition tape for entry into their program. Like any other skill, practicing slates makes perfect. Lights, camera action and give it a go. Practicing slates isn't easy. Communicate to someone, not the camera, which is an art form unto itself. Record and play back several versions of the slate and see how it plays. Find people you trust to watch the slate and give you feedback.
Keeping it simple is the best route, let you personality be upfront, and be quick. This is their first impression of you as an actor but the real deal should be saved for the audition. For a commercial audition maybe a hint of character is okay but avoid going overboard, it's risky. It could fall short and send the auditors to hit eject before you get a chance to show your work. Mainly, the aim is to give a slate that represents you as a person and as an actor. Slate and then, give them a brilliantly original, fresh fascinating character that will make their project soar. if you want to know more, look into Meisner acting NYC, for tips on how to create character, emotional preparation and scene study for auditioning.
One or two ways actors tend to crash and burn during auditions are common. The first is to be overconfident. At the same time, being deeply insecure won't help either. Being overly nervous or overconfident is not what will count against you in an audition. Being nervous or confident projects a sense of "self awareness" which can kill a great acting performance.
This is a very bad acting habit, being too closed off and too rehearsed and it's a poor auditioning technique as well. Too nervous, and it's too distracting to you and the auditors and you run the risk of not being open to the performance and the emerging character. The many layers of human traits, communicated in a thousand smalls ways is what must shine through, how you feel personally can't inhibit this.
Many preparing for auditions consider the slate unimportant. As many of you know, the slate is when you state your name into the camera so the auditors can keep track of everyone they've seen. What may seem like a tiny practical thing, can have huge consequences if they don't like what they see. This is the bad news. There is no guarantee ever that a producer or director will watch a tape past the slate. With hundreds, perhaps thousands to see for a role, it's an overwhelming process. When wading through these tapes, anything that helps them to more quickly find the best of the best is necessary. A quick dismissal of an actor's tape because of a lackluster slate gets them to their goal more quickly.
This may seem brutal, it does speed up the process. Learning to slate well is one way to get an advantage over some of the actors you go up against. While some acting classes deal with auditioning, many don't. Acting classes in NYC are a great resource for learning about slates. Acting classes in NYC in some institutions, may ask for a slate and audition tape for entry into their program. Like any other skill, practicing slates makes perfect. Lights, camera action and give it a go. Practicing slates isn't easy. Communicate to someone, not the camera, which is an art form unto itself. Record and play back several versions of the slate and see how it plays. Find people you trust to watch the slate and give you feedback.
Keeping it simple is the best route, let you personality be upfront, and be quick. This is their first impression of you as an actor but the real deal should be saved for the audition. For a commercial audition maybe a hint of character is okay but avoid going overboard, it's risky. It could fall short and send the auditors to hit eject before you get a chance to show your work. Mainly, the aim is to give a slate that represents you as a person and as an actor. Slate and then, give them a brilliantly original, fresh fascinating character that will make their project soar. if you want to know more, look into Meisner acting NYC, for tips on how to create character, emotional preparation and scene study for auditioning.
About the Author:
The Maggie Flanigan Studio provides meisner acting training in New York City. For more information about audition techniques visit the studio website where you can get specific answers to any question you have.